INTERESTED IN A FREE, AT-HOME PUPPETRY CLASS? I’m developing a residency project exploring the craft of puppetry that participants can do at home. The project would explore: 1. Creating toy theater for home entertainment. 2. Crafting a puppet character focusing on voice, movement and form. 3. Developing skits that explore empathy and conflict resolution. The project would be run through a combination of scheduled Zoom sessions, Youtube instruction and Email. Children and adults are welcome, but there will be separate Zoom sessions for the two groups. The residency would be free for those who can commit to the minimum of ten one-hour sessions. It will take place during the month of June. Puppets and skits created during the project will be shown in an online exhibition on my website and might be shown by the project supporters (Pittsburgh Center for Arts & Media and PA Council on the Arts). If you are interested, please contact me at email@example.com by May 15th. This is just an inquiry for now. Photo credit: Larry Rippel.
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After several months of engaging in a process that involved sketching out my drawings on site, I have begun working from photographs. Photography has been part of the process all along. I’m continuously taking pictures as I research new sites. I also take photos while drawing to document people or things that move quickly through my field of view. The change will allow me to try some larger studio pieces.
East Ohio Street is a busy commercial thoroughfare in the Deutschtown (East Allegheny) neighborhood on the North Side of Pittsburgh. Aging shops are interspersed with a few new boutiques and ethnic grocery/restaurants. The neighborhood has been home to the Pittsburgh Fringe Festival and the annual Deutschtown Music Festival
Isaly’s was a popular deli and food brand from the early 1900’s. A handful of their locations still exist, as does their Pittsburgh-famous chipped-chopped ham.
Here are more works from my pen & ink Pittsburgh drawing series. I’ve now completed drawings in forty-three Pittsburgh neighborhoods. Like many artists, the Coronavirus pandemic has forced me to make some changes. In pre-pandemic works, like the Pittsburgh Zoo penguin piece, I was sketching in the middle of a crowd. I now draw in my car or in an isolated park area. In some cases I work from photographs. I’m hoping that a return to public interactions will come soon!
My latest project is a series of pen & ink sketches of Pittsburgh neighborhoods. I’ve made about forty-five sketches and drawings in thirty-three neighborhoods since September of 2019. The pieces range from quick six by six inch sketchbook doodles to eighteen by twenty-four inch drawings. Here are a few examples of the smaller ones. A planned exhibition of these works in Downtown Pittsburgh has been postponed until summer 2021.
Check out the video for Pretty Ugly, up at James Gallery through November 2nd, 2019.
I’ve recently completed a new body of works for a show at James Gallery, Pittsburgh, PA. Pretty Ugly, which opens Friday, September 20th, features a group of artists practicing outsider art, folk art and eclectic approaches to depicting the figure.
It’s been a while since I’ve done regular blog posts. Here are some images from a November 2018 puppet show at the Westmoreland Museum of American Art. Mike Cuccaro and I developed a series of shows about the Pittsburgh folk legend, Joe Magarac. We wrote a script, crafted puppets and then built three shows to perform in various galleries of the museum. We adapted a variety of Magarac legends, weaving in content from the works in the Westmoreland collection. The shows were played throughout the day on the museum’s Family Day.
This May I spent thirteen days at Upper St Clair High School as resident artist. I spent two weeks with a core group of around forty students (and two very supportive art teachers) to develop and create a public work for the school. I then spent three days visiting classrooms to provide an arts experience for all tenth graders.
I generally compose residency plans after meeting with school administrators and representatives from the PF/PCA Artists in Schools & Communities program. Although I design lesson plans in advance, my school residency projects are largely student-driven. I facilitate a process that involves learning, experimentation, brainstorming, decision-making, planning and implementation of a project. This is a lot to accomplish in ten days with a core group. Regardless of the final outcome, the rigorous pace gives participants experience in being part of a collaborative project. Compromise, delegation of tasks and teamwork are essential.
The project was broken down into one week of research and exploration followed by one week of construction and placement of an installation. This schedule allowed us to figure out ideas that we wanted to express in the work. It also gave all participants a chance to express their ideas.
WEEK 1: Project Brainstorming & Planning
The core group project began with the goal of developing a student-informed project that would express themes of empathy and understanding. I began by giving the students a presentation of my work, emphasizing the various forms that art can take. These included site-specific installation, public art events, social projects and performance art.
On day two, core groups viewed a presentation of works by contemporary artists addressing social issues. We looked at how Pedro Reyes addresses gun violence through projects that transform guns into musical instruments and gardening shovels. We looked at the work of Chinese artist Ai Weiwei and discussed his messages of freedom, justice and equality. After the presentation and discussion, participants were given a survey asking them to describe issues that they feel strongly about and to suggest ideas for a collaborative project. We wrapped up with each student sharing an idea from their survey.
Our initial discussions and survey revealed a wide variety of interests and ideas. On the third meeting we looked a compilation of our collective concerns including equality, mental health and the environment. Our investigations into the motivations for art making made for some interesting philosophical discussion.
Day three transitioned into an exercise in voicing our ideas through text-based art. After looking at examples by Barbara Kruger, Glen Ligon, Vanessa German and Bruce Nauman, each participant created their own text-based work in black and white acrylic on paper. Some of the challenges of the exercise were 1. Trying to present a clear message. 2. Thinking outside of one’s own knowledge and experience to create a piece that exhibits understanding and empathy. 3. Keeping the works creative. After works were completed, we arranged them in a school hallway and had a critique. Some of the text-based exercises were later attached to our final installation.
To refocus the core group, a collage exercise scheduled for the fourth day was changed to an exercise in manifesto-writing. Through debate and conversation, we realized that the core group was interested in a variety of issues. There was a strong interest in thinking outside of the school district, to have understanding of those living elsewhere. Freedom of speech and expression was also a core value that the group wanted to express. Students spoke of the difficulties in speaking their mind concerning political and social issues. We agreed that celebrating the complexity and uniqueness of each student was important and despite our differences, we could find common ground in work of creative expression.
On the fifth day we narrowed down our idea sketches into three ideas including a free-standing sculptural piece, a collection of thematic works and an immersive room containing focused areas of activity. A room or box-like form was voted on. We then began to sketch some variations of the idea and to prepare a list of materials. Wood and hardware was needed for the structure. The students agreed that repurposing materials was important, so I arranged to pick up a carload of materials from Pittsburgh Center for Creative Re-use.
WEEK 2: Construction and Placement
Monday of the second week began with loading in materials and nervously anticipating where the project could be placed. The students wanted the work to be located in a visible public space in the school. The art teachers were very helpful in getting approval to place the work in the school lobby.
Within the core group, teams worked on various components of the installation. One group worked on an arrangement of cardboard raindrops, laser cut and suspended from the installation ceiling with fishing line. Each drop was embellished with a message. Another group worked on small dioramas, viewable through small holes in one wall of the installation. A third group worked on mobiles and small sculpture to be located within the main room of the installation. One of these works, a life-size dress form sculpture expressing ideas concerning woman’s rights and equality was eventually suspended in front of the installation.
As teams worked, I quickly framed in the box shape with wood and assisted with connecting the various components. Walls were created from repurposed cardboard and fabric. Some students worked on painting interior areas.
The exterior of the installation was covered with pieces of torn maps, making the final work look like a globe pounded into a cube. At final installation various text-art pieces were attached and collaged onto the work. Two doors and compact space gave the installation a maze-like feel.
The project THE BOX or Finding Common Ground in a Complex Galaxy, opened in the main lobby of the school. A giant hand-made artwork in the midst of a grand institutional entry, the work immediately attracted attention. Some noticed the messages and were excited. Some were confused that their daily surroundings were altered. Some were curious and wanted to explore the inside of the creation. During reflection with students at the completion of the installation, some expressed the difficulties in working on something so abstract over such a short time span. Not everything worked out as planned. Some were unsure of the rough aesthetic. Overall, I think all were involved in a thought-provoking process. All were challenged to think about art in new ways.
It’s going to be an interdisciplinary arts showdown on Saturday September 17th in Downtown Pittsburgh as three teams of Pittsburgh artists representing a wide range of creative practices face off in a two-hour art-making challenge. Art Olympics begins with an opening ceremony at 6 PM at the Re:NEW Festival’s 623 Smithfield Street location. The teams will begin building at 6:30 PM and work for two hours. The winning team will be announced just before 9 PM. The event is free and open to the public.
Team leader Sam Turich has a background in film and theater. He will be joined by teammates Alisha Wormsley, Derek Reese and Gab Cody. Team leader Ryder Henry is a painter and visionary model builder. His team includes Kate Bechak, Jen Bechak and Nick Falwell. Team leader Audra Clayton is a clay artist / educator. Her team will include Ryan McCormick, Christopher Wright and Kara Zuzu.
Judges will include art critic Graham Shearing, Gwen Bowman of Pittsburgh Puppet Works, artist Travis Mitzel and Diana Shark of Goodwill Industries.
Emcees for the event are Tom Sarver and Mike Cuccaro, with deejay Dave Zak spinning the tunes.
The Westmoreland Museum of American Art, located in Downtown Greensburg, Pennsylvania opened its spectacular, newly renovated museum to the public on Sunday, October 25th, 2015. The Westmoreland has nearly doubled its exhibition space, part of which is a massive cantilever wing walled with windows at its farthest end. The museum has a great variety of historical painting, folk art, bronze sculpture and work by self-taught artists. Mike Cuccaro and I were commissioned to create a series of four puppet shows inspired by the museum collection to present at the public opening. The shows were based on the popular Washington Irving character Rip Van Winkle, featured in a prominent museum oil paining by George Frederick Bensell. Shows happened in four separate galleries of the museum. The first show reviewed the Irving story and imaged his famous character traveling to destinations pictured in museum works. The second show is set in a steel mill, with Van Winkle meeting the millworker Mike Kessel, pictured in a painting by Francis Komperda. The third work is inspired by the carnival paintings at the museum, specifically Carnival at the County Fair, by Dorothy Lauer Davids (1939). Puppets and set for the third piece featured carnival goers, carnival workers and a working wheel of fortune for audience members to spin. The final show happened in the ship-like cantilever wing of the museum. Titled A Nautical Adventure, it was a final furthering of the Van Winkle story, with Rip and his sidekick Cubby the dog setting setting sail for a journey of fishing and exploration.